Solange · When I Get Home



A journal de bord, after Coelho's Alchemist. A single place, travelled by projection rather than memory: widening the options of the past to draw a better future.
The intention, set like the alchemist's quest.
One place, travelled by projection, not à la Proust.
The core cast, then the longlist held in the eye.
The room composed in sound, then what it costs.
Calm,
sensual,
carioca.
Turn this apartment under the rooftops into a contemplative, musical refuge. It crosses Brazilian modernism, French mid-century grace and the warmth of a Santa Teresa villa, the spirit of Solange's When I Get Home, bathed in amber light.
Warm materials, few pieces, plenty of emptiness.
Walnut, leather, stone: the sculptural seat.
Listening at the heart of the home: Juno-X, amp, speakers.
“Making Homes, here and there, then gathering them, here.”
The inspiration of Solange's When I Get Home was born from a reunion, and from a life of moves and travels, rooted on Réunion Island. That historic melting pot strangely echoed everywhere: from the Basque Country to AlUla, I found a piece of myself at every stop, and Cape Town reminded me of Réunion. Hence the eclecticism, in the spirit of the Habitas sanctuaries: played like a score for a many-sided sanctuary, as sensual as it is plural, yet in balance.

The project's north star: a modernist villa in Santa Teresa: precious Brazilian wood, a music studio, a view over the bay. We carry its bar-like conviviality up under the Paris rooftops: warm walnut, black leather, low light, records spinning and a Juno purring.

Minimal, meditative language; golden light.
Rodrigues, Tenreiro, Fasanello: warm wood, sculptural seating.
Carioca villa, music, conviviality.
Travertine, terracotta, 2200K light.

The large volume under the roof: listening, lounge, dining. Ceiling up to 3.50 m.
Glazed bay to the south-east, by the lift, the future dining corner, open to the balcony.
The future “Red Hours Spa”: shower, travertine, amber light.
Arranged around the living room, with a direct lift.
Roof windows to the north, soft and constant.
Glazed bay by the lift, black steel posts, structure to celebrate.
Roof windows due north, soft, constant light, ideal for listening and naps.
Glazed bay and black steel posts, by the lift, the loft's carioca frame, to reveal rather than hide.
The brightest corner hosts the dining nook, lit by the Hashirama lamp (today in the living room).
Option A dressed in Nichibei Japanese honeycomb pleated blinds: soft, filtered light and quiet thermal insulation. One volume, three tones to weigh.

A verdant, carioca calm, echoing the Guariche greens and the planting beyond the glass.

Soft, luminous and calming: a timeless, wabi-sabi naturalness.

A more hushed, enveloping elegance: a pronounced mineral, sophisticated Japanese register.

Barely a few square metres, an enveloping cell, not a room to cross. A threshold for rebirth and renewal.
Travertine, terracotta tadelakt and wood, warm to the touch, glowing under a low 2200K light.
The “Red Hours” spa: a slow, restorative pause between the city and the sanctuary.

Terracotta tadelakt walls, a smoked-glass screen for privacy, an integrated niche for products.
A one-off organic form on a travertine top, with aged-brass vintage taps.
Closed walnut cabinet, an open shelf above the WC and a towel shelf under the vanity.

The swivel armchairs in two greens, sage and olive, on a cantilevered chrome base: French mid-century grace. The heart of the living room, they stay and set the forest-green tone.
Reference · armchair & ottoman

Lounge + ottoman and an armchair, in solid walnut and black leather, the Japanese-Danish line, sculptural and warm. The project's Brazilian/Scandinavian thread.



Wished-forThe round oxblood dining table (Habitat) and the cream & brass coffee table, already here. The bedside table in rosewood, brass and cane. And, wished-for, a Zara Home side table in marble & polished aluminium.




The listening corner: Roland Juno-X, a vintage Scott amplifier and JBL L52 Classic speakers. And Area Tokyo's Hashirama lamp, a washi-paper sphere on a wooden base, today in the living room, soon by the verrière.
Solange · When I Get Home
Carioca villa · wood & leather“A warm stone that breathes: wood, leather, vinyl, low light.”
Beyond the core pieces: a few objects held in the eye. Carioca warmth, Japanese restraint, hand-made glass and ceramic, gathered slowly.











The table is already set: glass, porcelain and silver gathered over time. The ground the evenings rest on.
The confirmation came with Solange. Listening to Weary and Rise in Wynwood, Miami, in 2016, my draw to music finally made sense, not as naive listening but as the felt sense of a moment, a place, a feeling I carry back with me.
Solange · A Seat at the Table · Wynwood, Miami · 2016
Watch · Solange in conversation ↗ ▶ Goethe Dreams · Apple MusicMy ear was formed at home, in the music my parents played through the whole house: Sade, Pink Floyd, a great deal of American R&B and rap, and the classics my mother kept close, Vivaldi's Four Seasons, Bach, Debussy's Clair de lune.
Then pop culture won. A taste for the star-system and its serigraphy, a product, pop-art eye I carried into my fine-arts baccalaureate. The keyboard followed, as evidence: a tool to shape musical textures in resonance with these rooms.
Lady Gaga's Mayhem lands at a moment that resonates: Shadow of a Man and Killah with Gesaffelstein feel decisive, and Telephone with Darkchild stays in the body. But When I Get Home remains, Solange's Jimmy Fallon live above all. Closer still: Kaytranada's Timeless, More Than a Little Bit with Tinashe, and PinkPantheress's A Girl like Me with Oklou.






Synth, amp and speakers gathered by the warm north light: sit, play, listen.
Tucked from the path so the room stays calm and the cables stay hidden.
The high verrière ceiling opens the sound; the wool carpet tames it.
Floor, electrics, paint
Travertine, terracotta, 2200K
Sofa, rug, console, side pieces
Remove sisal, electrics, paint.
Lay carpet, cladding.
Travertine, tadelakt, amber light.
Sofa & rug, then sourcing.
